Gear

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Two boxes walk into your studio. One’s a rhythm machine. The other’s a synth with a split personality. Both just leveled up.

By

Avery Knox

Elektron Digitakt II & Digitone II: Old Souls, New Tricks

Two boxes walk into your studio. One’s a rhythm machine. The other’s a synth with a split personality. Both just leveled up.

By

Avery Knox

Elektron Digitakt II & Digitone II: Old Souls, New Tricks

Two boxes walk into your studio. One’s a rhythm machine. The other’s a synth with a split personality. Both just leveled up.

By

Avery Knox

Boss DS-1 Distortion: It Still Exists

Harsh? Maybe. Iconic? Also yes.

By

Levi Torres

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Harsh? Maybe. Iconic? Also yes.

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Boss DS-1 Distortion: It Still Exists

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The Martin D-300: A Case Study in Unnecessary Excellence

When a guitar costs more than your car, your rent, and your studio combined — and still can’t write a song for you.

By

Jude Harper

The Martin D-300: A Case Study in Unnecessary Excellence

When a guitar costs more than your car, your rent, and your studio combined — and still can’t write a song for you.

By

Jude Harper

The Martin D-300: A Case Study in Unnecessary Excellence

When a guitar costs more than your car, your rent, and your studio combined — and still can’t write a song for you.

By

Jude Harper

Moog Muse Review: Analog Royalty Gets a Polyphonic Crown

Meet the Muse: Moog’s Polyphonic Power Move.

By

Avery Knox

Moog Muse Review: Analog Royalty Gets a Polyphonic Crown

Meet the Muse: Moog’s Polyphonic Power Move.

By

Avery Knox

Moog Muse Review: Analog Royalty Gets a Polyphonic Crown

Meet the Muse: Moog’s Polyphonic Power Move.

By

Avery Knox

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